Catégories
Documents disponibles dans cette catégorie (28)
Faire une suggestion Affiner la recherche
Solfège ou dictées des rythmes / A. Thurner
Titre : Solfège ou dictées des rythmes Type de document : texte imprimé Auteurs : A. Thurner, Auteur Editeur : Paris [France] : Alphonse Leduc Année de publication : s.d. Importance : 31 p. Format : 27 cm Langues : Français (fre) Catégories : Formation Musicale
Formation Musicale:oreille, dictéeIndex. décimale : 780.523 Formation musicale: oreille, dictée Permalink : https://biblio.imep.be/index.php?lvl=notice_display&id=5773 Solfège ou dictées des rythmes [texte imprimé] / A. Thurner, Auteur . - Paris [France] : Alphonse Leduc, s.d. . - 31 p. ; 27 cm.
Langues : Français (fre)
Catégories : Formation Musicale
Formation Musicale:oreille, dictéeIndex. décimale : 780.523 Formation musicale: oreille, dictée Permalink : https://biblio.imep.be/index.php?lvl=notice_display&id=5773 Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité 1234602557 780.523 THU Partition musicale imprimée Bibliothèque principale Formation Musicale Disponible Structural Hearing / Felix Salzer
Titre : Structural Hearing : Tonal coherence in music Type de document : texte imprimé Auteurs : Felix Salzer (1904-1986), Auteur Editeur : New York : Dover Publications Année de publication : 1962 Importance : 349 p. Format : 22 cm ISBN/ISSN/EAN : 978-0-486-22275-2 Note générale : Two volumes bounds as one Langues : Anglais (eng) Catégories : Analyse musicale
Ecritures
Ecritures:Harmonie
Formation Musicale:oreille, dictée
Théorie de la MusiqueIndex. décimale : 780.58 Analyse musicale Résumé : Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker's work. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky.
Heinrich Schenker's great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.
Dr. Salzer, in expanding and formulating anew many of Schenker's ideas, has embarked upon a systematic approach. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar (or labeling) and significance, showing that function rather than the ordinary label is really significant. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music.
This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor.
"Since its publication in 1952 . . . has been the foundation on which all teaching in music theory has been based at this College." — Leopold Mannes, President, The Mannes College of Music. "Never likely to be improved upon for soundness and comprehensiveness." — Ernest Newman, The Times. "A thoughtful and provocative contribution to the fields of music theory, aesthetics, and criticism, and performance. Dr. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages." — Norman Lloyd, Juilliard School of Music, in Notes.
Permalink : https://biblio.imep.be/index.php?lvl=notice_display&id=11547 Structural Hearing : Tonal coherence in music [texte imprimé] / Felix Salzer (1904-1986), Auteur . - New York : Dover Publications, 1962 . - 349 p. ; 22 cm.
ISBN : 978-0-486-22275-2
Two volumes bounds as one
Langues : Anglais (eng)
Catégories : Analyse musicale
Ecritures
Ecritures:Harmonie
Formation Musicale:oreille, dictée
Théorie de la MusiqueIndex. décimale : 780.58 Analyse musicale Résumé : Written by a pupil of the late Heinrich Schenker, this outstanding work is the most thorough exposition in English of Schenker's work. Developing and extending the Schenker approach to include modern music, it explores the phenomenon of tonal organization in Western music by means of a detailed analysis and discussion of more than 500 musical examples ranging in time from the Middle Ages to such moderns as Bartok, Hindemith, Prokofiev, and Stravinsky.
Heinrich Schenker's great contribution was the discovery of fundamental principles of tonal organization, continuity, and coherence. In theory he was the first to define these organic forces of the musical language, particularly the tonal functions and relationships which form both the generative and cohesive forces of great music.
Dr. Salzer, in expanding and formulating anew many of Schenker's ideas, has embarked upon a systematic approach. Using the concept of chord functions as a basis, he differentiates sharply between chord grammar (or labeling) and significance, showing that function rather than the ordinary label is really significant. Further distinctions between chords of structure and chords of prolongation, harmonic and contrapuntal uses, and the concept of musical direction provide effective tools for the analysis of music.
This set, which is a standard work used in all important music schools, starts with basic definitions and simple examples, and trains the reader not only to hear successions of tones, melodic lines, and progressions of chords, but also to understand their structural coherence and significance. It is invaluable for musicians and for all who are seriously interested in music, whether as a student, critic, performer, or conductor.
"Since its publication in 1952 . . . has been the foundation on which all teaching in music theory has been based at this College." — Leopold Mannes, President, The Mannes College of Music. "Never likely to be improved upon for soundness and comprehensiveness." — Ernest Newman, The Times. "A thoughtful and provocative contribution to the fields of music theory, aesthetics, and criticism, and performance. Dr. Salzer is to be congratulated on having helped us take a long step out of the Dark Ages." — Norman Lloyd, Juilliard School of Music, in Notes.
Permalink : https://biblio.imep.be/index.php?lvl=notice_display&id=11547 Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité 1234608190 780.58 SAL Livre Bibliothèque principale Analyse musicale Disponible Trente dictées de concours / Jeanine Rueff
Titre : Trente dictées de concours Titre original : à une, deux et trois voix Type de document : partition musicale imprimée Auteurs : Jeanine Rueff (1922-1999), Auteur Editeur : Paris [France] : Alphonse Leduc Année de publication : s.d. Importance : 23 p. Format : 27 cm Langues : Français (fre) Catégories : Formation Musicale
Formation Musicale:oreille, dictéeIndex. décimale : 780.523 Formation musicale: oreille, dictée Permalink : https://biblio.imep.be/index.php?lvl=notice_display&id=13448 Trente dictées de concours = à une, deux et trois voix [partition musicale imprimée] / Jeanine Rueff (1922-1999), Auteur . - Paris [France] : Alphonse Leduc, s.d. . - 23 p. ; 27 cm.
Langues : Français (fre)
Catégories : Formation Musicale
Formation Musicale:oreille, dictéeIndex. décimale : 780.523 Formation musicale: oreille, dictée Permalink : https://biblio.imep.be/index.php?lvl=notice_display&id=13448 Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité 1234609872 780.523 RUE Partition musicale imprimée Bibliothèque principale Formation Musicale Disponible